
1998 · Zdravko Šotra
How Barking at the Stars has been received, argued over, and remembered.
An instant crowd-pleaser in 1998 Serbia — embraced precisely because it offered warm, apolitical 1960s nostalgia in the middle of a grim decade — it has since settled in as a perennial TV-rerun classic that ex-Yugoslav audiences rewatch ritually.
The gentle running debate is whether its rose-tinted, deliberately politics-free vision of 1960s Yugoslavia is the whole point or a soft-focus evasion — charm or escapism, depending on who's reviewing.
It turned Sremski Karlovci into a pilgrimage stop — visitors still seek out the historic gymnasium where it was shot — and its title (a Serbian idiom for chasing the impossible) travels well beyond the film itself.
A cornerstone of post-Yugoslav popular cinema and a beloved regional comfort film, adored at home (with towering audience ratings) while remaining almost unknown to cinephiles outside the Balkans.