Everything Everywhere All at Once · reception & legacy
2022 · Daniel Scheinert
How Everything Everywhere All at Once has been received, argued over, and remembered.
The arc
It premiered at SXSW 2022 as a scrappy A24 word-of-mouth hit, then snowballed into a sleeper box-office phenomenon and a historic seven-Oscar sweep — and almost immediately triggered a 'was it over-awarded?' backlash that's still being litigated.
What's debated
The perennial fight: transcendent maximalist masterpiece or exhausting 'too much, all at once' internet-brain overload that swept the Oscars a bit too easily.
Its footprint
Hot dog fingers, googly eyes, and the everything bagel became instant meme currency, while 'In another life, I would have really liked just doing laundry and taxes with you' turned into one of the most-quoted romantic lines of the decade.
Where it stands
A defining Letterboxd-era favourite — it rocketed into the site's top-rated films and remains the shorthand example of a modern instant-canon crowd-pleaser (and of the backlash that status invites).
Named by the director
Influences Daniel Scheinert has publicly named — the director's own word, distinct from the inferred lines of influence.
- The Matrix (1999) — The Daniels cited it as the foundational template they were riffing on for the film's chosen-one, universe-hopping action framework.
- In the Mood for Love (2000) — The Daniels named Wong Kar-wai's film as the direct model for the rain-soaked movie-star universe's look and longing.
- Jackie Chan — The Daniels said his prop-heavy comedic action style shaped the fight choreography — and that the script was first conceived as a Jackie Chan vehicle.