
2018 · Nadine Labaki
How Capernaum has been received, argued over, and remembered.
It exploded out of Cannes 2018 with a Jury Prize and a famously tearful standing ovation, then rode an Oscar nomination — but critics split hard between 'devastating masterpiece' and 'manipulative miserablism'. Audiences settled the argument: it's now one of the most beloved non-English films of its decade, its reputation carried by viewers rather than critics.
The perennial fight: is Capernaum a piece of urgent, humane neorealism or expertly engineered 'poverty porn' — and does casting real refugees make that better or worse?
Its hook — a boy suing his parents for the crime of being born — became one of the most quoted premises in modern world cinema, and the film was a shock blockbuster in China, grossing over $50 million there and outperforming Hollywood competition.
A Letterboxd top-250 fixture and a go-to 'this film destroyed me' recommendation — the rare arthouse festival winner that became a genuine audience favourite.