
2020 · Pete Docter
How Soul has been received, argued over, and remembered.
A pandemic casualty turned quiet triumph: dumped straight to Disney+ on Christmas Day 2020 with no US theatrical run, it still won two Oscars and is now widely seen as the crown jewel of Pixar's 'streaming era' — the one everyone agrees deserved a big screen (a belated 2024 theatrical release tried, too late, to fix that).
The recurring fight: fans still debate whether Pixar's first Black lead spending so much of the film outside his own body repeats a tired trope in Black-led animation — and, separately, whether a movie about mortality and jazz is really 'for kids' at all.
It made 'the zone' and 'lost souls' part of the creative-burnout vocabulary, and its Jon Batiste / Trent Reznor / Atticus Ross score — an Oscar winner — kicked off Batiste's run to Grammy dominance; the barbershop scene gets cited constantly as a high-water mark for everyday Black life in animation.
Firmly in the modern Pixar top tier on Letterboxd — the 'Pixar for adults' pick that gets mentioned in the same breath as Inside Out and Coco.