
2000 · Julian Schnabel
How Before Night Falls has been received, argued over, and remembered.
It arrived garlanded — Grand Jury Prize at Venice, an Oscar nod for Bardem — and it's still respected, but it's settled into being 'the middle panel' of Schnabel's artist-biopic run, overshadowed in memory by The Diving Bell and the Butterfly.
The recurring rub is whether Schnabel's lush, painterly dreaminess honors Reinaldo Arenas's furious testimony or aestheticizes it — a film-of-the-performance vs. film-in-its-own-right split.
Johnny Depp's double cameo — as the drag queen Bon Bon and a prison lieutenant — is the endlessly screenshotted bit, and the film sent a generation of viewers back to Arenas's memoir.
A cinephile-respected rather than mass-beloved title: essential viewing for Bardem completists and a fixture on 'painter-turned-director' and queer-cinema lists.