
2011 · James Wan
How Insidious has been received, argued over, and remembered.
Critics were lukewarm in 2011 — a fun-but-familiar haunted-house ride — while it quietly became one of the year's most profitable films; a decade on it's credited (with Paranormal Activity) with launching the Blumhouse era and the whole 2010s supernatural-horror boom Wan would cement with The Conjuring.
The eternal Insidious debate: is the terrifying first hour undone by a third act that goes full goofy once things get weird — or is that tonal swing exactly the point?
It permanently ruined Tiny Tim's 'Tiptoe Through the Tulips,' gave horror fans 'The Further' as shorthand, and the red-faced demon suddenly appearing behind Patrick Wilson remains a benchmark jump scare of the decade — even if half the internet just calls the demon 'Darth Maul.'
A modern-horror canon staple and Letterboxd jump-scare favourite — the gateway film for a generation of horror fans raised on Blumhouse.