
1969 · Éric Rohmer
How My Night at Maud's has been received, argued over, and remembered.
The talky, no-budget sleeper that made Rohmer an international name at nearly 50 — a genuine arthouse hit in 1969 that earned two Oscar nominations, and it's never really left the canon since, anchoring the Six Moral Tales as their most revered entry.
The eternal split: is a film where people mostly sit around debating Pascal's Wager riveting or 'nothing happens' — and is Jean-Louis a principled hero or the most gently skewered prig in French cinema?
It's the film most implicated in cinema's most famous anti-Rohmer burn: Gene Hackman's detective in Night Moves (1975) shrugging that watching a Rohmer film was 'kind of like watching paint dry' — a line Rohmer fans have worn as a badge of honour ever since.
A cornerstone of the Six Moral Tales and a Criterion staple — the default 'start here' Rohmer, beloved on Letterboxd by everyone who's ever logged a film as 'just people talking (complimentary)'.