
2018 · Spike Lee
How BlacKkKlansman has been received, argued over, and remembered.
It landed hot — Cannes Grand Prix in 2018, released on the one-year anniversary of Charlottesville, and finally won Spike Lee his first competitive Oscar (Adapted Screenplay). Now it's remembered as much for what happened at those Oscars — Green Book taking Best Picture over it, and Lee's visible fury ('the ref made a bad call') — as for the film itself.
The debate was crystallised by Boots Riley's viral essay-length critique: can a Spike Lee joint really make a cop the hero, or does the film soften police history to get there?
The gut-punch cut to real Charlottesville footage at the end became one of the most argued-about endings of the decade — proof, for fans, that Lee wasn't making a period piece at all. It also minted John David Washington as a leading man, stepping publicly out of his father Denzel's shadow.
Widely seen as late-period Spike Lee's return to the centre of the conversation — the film that put him back in the canon-tending business rather than the 'remember Do the Right Thing?' one.