Sightlines · reception

How Long Day's Journey Into Night was received

2018 · Bi Gan · Long Day's Journey Into Night on Sightlines

The arc

In China it was infamously marketed as a romantic date movie for New Year's Eve 2018 — a record arthouse opening collapsed overnight amid furious audience backlash and cratering user scores. Abroad it premiered to acclaim at Cannes Un Certain Regard, and the 'scam that was actually a masterpiece' story is now part of its legend.

What’s debated

The eternal fight: is the hour-long 3D dream sequence a transcendent formal feat or the ultimate case of vibes-over-substance?

Its footprint

The mid-film moment where the protagonist puts on 3D glasses — your cue to do the same in the cinema — became one of the decade's most talked-about gimmicks, and the 'kiss across the New Year' marketing fiasco is now a textbook case study in selling arthouse cinema.

Where it stands

A Letterboxd 'dream logic' darling and modern arthouse canon climber — shorthand for slow-cinema maximalism among younger cinephiles.

Did you know? Despite the English title, it has nothing to do with Eugene O'Neill's play — the Chinese title translates as 'Last Evenings on Earth,' borrowed from a Roberto Bolaño short story.

Named by the director

  • Vertigo (1958) — Bi Gan called Hitchcock's film a starting point for the two-part structure — a dream vision of a woman, then a more realistic one.
  • Stalker (1979) — He staged a glass wobbling off a table as a deliberate homage to Tarkovsky.
  • Andrei Tarkovsky — Bi Gan has repeatedly named Tarkovsky as his formative influence and embedded nods to him in this film.

A Deleuzian reading of Long Day's Journey Into Night →