
2018 · Jeon Go-woon
How Microhabitat has been received, argued over, and remembered.
It opened quietly in Korea in 2018 as a small indie from the Gwanghwamun Cinema collective, but festival wins (Busan's CGV Arthouse Award, Best New Director at the Grand Bell Awards) and years of streaming word-of-mouth turned it into an international cult favourite — now a go-to title in the 'broke millennial cinema' canon.
The evergreen fight in the reviews: is Miso's whisky-and-cigarettes-over-rent choice a radical act of self-possession or is the film romanticizing poverty?
Its premise — a woman who'd sooner give up housing than her daily whisky and cigarettes — became instant shorthand in cost-of-living discourse, and Letterboxd is wall-to-wall with 'she's literally me' reviews from priced-out twenty-somethings.
A word-of-mouth Letterboxd darling and the crown jewel of Korea's late-2010s indie wave — the 'trust me, just watch it' recommendation of Korean cinema deep cuts.