
2018 · Alice Rohrwacher
How Happy as Lazzaro has been received, argued over, and remembered.
It arrived already blessed — Best Screenplay at Cannes 2018 (shared with Jafar Panahi's Three Faces) — then quietly slipped onto Netflix, where it grew from festival darling into fixture of best-of-the-2010s lists within a couple of years.
The fight is over the film's famous mid-point swerve: for believers it's the decade's great cinematic rupture, for skeptics it's where a perfect neorealist fable trades its spell for allegory.
Adriano Tardiolo's wide-eyed, saintly face became arthouse shorthand for the 'holy fool' — the go-to reference whenever cinephiles discuss innocence on screen, and the film critics reflexively reach for when linking new Italian cinema back to Pasolini and Olmi.
A certified Letterboxd darling and modern arthouse canon entry — the 'have you seen Lazzaro?' film of 2010s world cinema.