
2019 · Václav Marhoul
How The Painted Bird has been received, argued over, and remembered.
It premiered at Venice 2019 as 'the walkout movie' — dozens fled screenings there and at TIFF — yet it also drew a standing ovation and became the Czech Oscar submission. Years on, its notoriety has softened into respect, with many now filing it beside the great East European war films rather than the shock canon.
The fight it always starts: essential, unflinching masterpiece or three hours of black-and-white misery porn?
Its cultural life is inseparable from the festival walkout stories — it became shorthand for the endurance-test arthouse film, the one you 'survive' rather than watch.
A badge-of-honour watch for Letterboxd's extreme-cinema crowd, perpetually mentioned in the same breath as Come and See.