Sightlines · reception

How Bergman Island was received

2021 · Mia Hansen-Løve · Bergman Island on Sightlines

The arc

Premiered in competition at Cannes 2021 to warm if unspectacular notices and left without prizes, but it's aged into one of the quiet cinephile favorites of the decade — the cozy 'movie about making movies' people keep returning to and putting on best-of-2021 lists.

What’s debated

The endless debate is how autobiographical it really is — everyone reads it as Hansen-Løve on her relationship with Olivier Assayas, a reading she has repeatedly resisted — plus the perennial 'dreamy and rich' vs 'slight, nothing happens' split.

Its footprint

The 'Bergman Safari' — a real guided tour of Fårö that the film gently satirizes — became instant cinephile shorthand, and the dance to ABBA's 'The Winner Takes It All' is the moment Letterboxd reviews can't stop quoting.

Where it stands

A modern Letterboxd darling and a fixture of the films-about-filmmaking microgenre — the kind of low-key favorite cinephiles recommend as a comfort watch.

Did you know? The film was shot on Fårö over two separate summers, and the cast changed in between: Greta Gerwig (who left to make Little Women) was replaced by Vicky Krieps, and John Turturro's role went to Tim Roth.

Named by the director

  • Ingmar Bergman — Hansen-Løve openly framed the film around her long fascination with Bergman, writing it during her own stays on Fårö where he lived and worked.
  • Scenes from a Marriage (1973) — She singled out Bergman's series — jokingly blamed for 'making millions of people divorce' — as the touchstone the film explicitly wrestles with.

A Deleuzian reading of Bergman Island →