← The Night of Counting the Years
The Night of Counting the Years poster

The Night of Counting the Years · reception & legacy

1969 · Shadi Abdel Salam

How The Night of Counting the Years has been received, argued over, and remembered.

The arc

Barely seen on release — it went almost unscreened in Egypt for years while festivals abroad embraced it — the film was rescued from near-invisibility when Martin Scorsese's World Cinema Foundation restored it in 2009, and it's now routinely called the greatest Egyptian film ever made.

What's debated

The perennial split is over its trance-like pace and formal solemnity — hypnotic masterpiece to devotees, a stately museum piece to skeptics.

Its footprint

It's the default answer to 'what's the greatest Arab film?' — it topped a 2013 Dubai International Film Festival critics' poll of the 100 most important Arab films — and its austere widescreen desert compositions are endlessly screencapped and shared.

Where it stands

A canon climber of the restoration era: once a cinephile secret passed around in poor prints, now a 'you must see this' pillar of world cinema on Letterboxd and in Scorsese's frequently cited favourites.

★ Did you know? Roberto Rossellini championed the project and lent his name as its international presenter, and it remained director Shadi Abdel Salam's only completed feature — he spent his remaining years on an unrealized Akhenaten film before his death in 1986.