
2023 · Martin Scorsese
How Killers of the Flower Moon has been received, argued over, and remembered.
Premiered at Cannes 2023 to a nine-minute ovation and rode into awards season as a presumed juggernaut — then went a stunning 0-for-10 at the Oscars, with Lily Gladstone's Best Actress loss to Emma Stone still one of the most relitigated results of the decade. The film's stature hasn't dipped, but its awards shutout has become part of its story.
The forever-debate is perspective: should Scorsese have centered Mollie and the Osage rather than DiCaprio's Ernest — with the 206-minute runtime (and the great 'should theatres bring back intermissions?' discourse of 2023) running a close second.
It gave awards season one of its defining moments — Lily Gladstone accepting her Golden Globe partly in the Blackfeet language — and the runtime kicked off a genuine mainstream argument about intermissions returning to cinemas. DiCaprio's dim, jutting-jawed Ernest became instant meme material.
Instantly slotted into the late-Scorsese canon alongside Silence and The Irishman — a Letterboxd heavyweight treated less as a question of 'is it good?' than 'where does it rank?'