
2010 · Alejandro G. Iñárritu
How Biutiful has been received, argued over, and remembered.
Booed-and-cheered at Cannes and dismissed by many critics as two-and-a-half hours of miserabilism, it's since crept upward as the 'underrated Iñárritu' — the one people revisit for Bardem and quietly admit got under their skin.
The eternal Biutiful fight: is this a profound meditation on mortality or just punishing misery porn — with Bardem's performance the one thing both sides concede.
Its phonetically-misspelled title has become shorthand for the film's whole tender-broken register, and the movie itself is a fixture atop 'most depressing films ever made' lists — a badge of honour among sad-cinema completists.
A cult pick among Iñárritu's filmography — the un-flashy one before Birdman and The Revenant that a devoted contingent insists is actually his best.