Sightlines · reception

How The Rider was received

2018 · Chloé Zhao · The Rider on Sightlines

The arc

In 2018 it was the acclaimed little indie that critics adored and almost nobody saw — then Nomadland won Best Picture and everyone circled back, with 'The Rider is actually Zhao's best film' becoming one of Letterboxd's most reliable takes.

What’s debated

The perennial debate: is this better than Nomadland — and did the Oscars completely blow it by giving it zero nominations?

Its footprint

It's the film that changed Chloé Zhao's career trajectory — Marvel came calling for Eternals off the back of it — and it's become the go-to modern reference point for docufiction, the non-actors-playing-themselves hybrid.

Where it stands

A canon climber and certified Letterboxd darling: the 'underseen gem you must watch' of late-2010s American indie cinema.

Did you know? Brady Jandreau isn't acting a premise — he's a real horse trainer who suffered the skull injury depicted in a 2016 rodeo accident, and Zhao rebuilt her planned film around his actual recovery, casting his real father and sister as his family.

A Deleuzian reading of The Rider →