
2019 · Juliano Dornelles
How Bacurau has been received, argued over, and remembered.
Premiered at Cannes 2019 to a Jury Prize and instant buzz, then its US run collided with the March 2020 lockdown — it became one of the first 'virtual cinema' hits and a pandemic-era word-of-mouth obsession, now widely treated as the defining Brazilian genre film of the Bolsonaro years.
The perennial debate is the mid-film swerve: is the shift from slow-burn village portrait into full-blown genre mayhem a masterstroke, or does the film's political messaging get too blunt in the back half?
The flying-saucer-shaped drone became its instantly recognisable image, and 'Bacurau isn't on the map' turned into shorthand for the film's whole idea; it's now a go-to reference point whenever anyone discusses political genre cinema from the Global South.
A certified Letterboxd darling and modern cult classic — routinely near the top of best-of-2019 lists and a 'you have to see this' handshake among genre-literate cinephiles.
Influences Juliano Dornelles has publicly named — the director's own word, distinct from the inferred lines of influence.