
1960 · Federico Fellini
How La Dolce Vita has been received, argued over, and remembered.
It scandalised Italy on release — the Vatican's newspaper condemned it and Fellini was reportedly spat at by outraged patrons at the Milan premiere — yet it won the Palme d'Or at Cannes that same year and is now a fixture of greatest-films lists.
The perennial fight: is its three hours of episodic drift a profound portrait of emptiness or just gorgeous, indulgent wallowing in the decadence it claims to critique?
It gave the world the word 'paparazzi' and its title became shorthand for glamorous living in dozens of languages; Anita Ekberg wading into the Trevi Fountain is one of the most referenced and parodied images in all of cinema.
Absolute canon bedrock — the default gateway Fellini and a 'you must have seen this' for anyone claiming cinephile credentials.