
2010 · Olivier Assayas
How Carlos has been received, argued over, and remembered.
A Cannes 2010 sensation that had to screen out of competition because it was technically television — critics crowned it anyway, topping year-end polls, and it now reads as the moment the film-vs-TV border started to crumble, years before 'prestige long-form' was a genre.
The eternal fight: is the full five-and-a-half-hour cut the only real version, and does watching the 2.5-hour theatrical cut even count?
The image everyone clips is Édgar Ramírez admiring himself in the mirror — terrorist as rock star — and the anachronistic post-punk needle drops (Wire, New Order, The Feelies) became a signature move other filmmakers still crib.
A cinephile endurance badge and best-of-the-2010s list staple — the 'yes, the long cut, in one sitting if you can' recommendation.
Influences Olivier Assayas has publicly named — the director's own word, distinct from the inferred lines of influence.