
1958 · Jack Clayton
How Room at the Top has been received, argued over, and remembered.
A scandalous sensation in 1959 — its frankness about sex and class earned it an X certificate and huge box office — and it's now credited as the film that kicked off the British New Wave, even if the kitchen-sink films it enabled (Saturday Night and Sunday Morning, This Sporting Life) tend to overshadow it in memory.
The perennial debate is Laurence Harvey: is his chilly, dubious-accented turn as a Yorkshire social climber a fatal miscasting or exactly the point, alongside the question of whether Simone Signoret simply walks off with the film.
It made 'room at the top' shorthand for ruthless social climbing, proved an X-rated British film could be a mainstream smash, and opened the door for a decade of angry-young-man cinema — plus a sequel (Life at the Top) and a TV remake.
A canon cornerstone that's more cited than watched — the 'you must see where the British New Wave started' film, kept alive by Signoret completists and kitchen-sink devotees.