
1986 · Suzana Amaral
How Hour of the Star has been received, argued over, and remembered.
It arrived a winner — festival acclaim at Berlin in 1986 and a sweep at Brasília — then spent decades as a hard-to-see Brazilian classic; the international Clarice Lispector revival of the 2010s sent a new generation of readers hunting it down, and restorations finally put it back in circulation.
The perennial cinephile debate: can any film really carry Lispector's interior, self-interrogating prose, or does Amaral's stripped-down realism succeed precisely by refusing to try?
Macabéa — the typist who loves Coca-Cola and radio trivia — became one of Brazilian cinema's indelible characters, and the film is a fixture of best-Brazilian-films-ever lists.
A cornerstone of the Brazilian canon that plays as a revered deep cut internationally — the kind of film Letterboxd users log with 'why did nobody tell me about this.'