
1991 · Agnès Varda
How Jacquot has been received, argued over, and remembered.
Premiered at Cannes in 1991 just months after Jacques Demy's death and was received as a tender act of mourning; its stature has only grown with Varda's late-life canonisation, and it's now routinely called one of the greatest love letters ever put on film.
The recurring question among film fans is whether you should come to it cold or only after steeping yourself in Demy's own films — half the discourse insists it plays best as the final stop on a full Demy marathon.
Varda's extreme close-ups of the dying Demy — her camera slowly tracing his hair, skin and eyes — have become one of cinema's most cited images of love and grief, a touchstone whenever people talk about filmmaking as an act of devotion.
A cinephile deep cut turned essential text: the film Letterboxd reviewers hand you after The Umbrellas of Cherbourg with the words 'now watch this and cry'.