
1992 · Bille August
How The Best Intentions has been received, argued over, and remembered.
It won the Palme d'Or in 1992 — Bille August's second, after Pelle the Conqueror — to real acclaim, yet today it sits among the least-revisited Palme winners, mostly kept alive by Ingmar Bergman completists working through his autobiographical script cycle.
The perennial question: is this really a Bergman film that August merely executed, or does August's direction deserve credit in its own right — and did it merit the Palme over 1992 competition like The Player and Howards End?
Its cultural life is almost entirely as Bergman apocrypha — the story of his parents' courtship, written by Bergman himself, and the anchor of the 1990s trilogy of Bergman-scripted family films alongside Sunday's Children and Private Confessions.
A 'you should have seen this' obligation for Palme completists and Bergman devotees, but beloved-and-forgotten for almost everyone else.