
2017 · Dee Rees
How Mudbound has been received, argued over, and remembered.
A Sundance 2017 sensation that Netflix bought for $12.5M — then, despite four Oscar nominations, it barely got a theatrical footprint, and the years since have turned it into the go-to example of a great film a streamer let slip through the culture. Now it's routinely named among the most underrated American films of the 2010s.
The perennial fight isn't about the film — almost everyone agrees it's excellent — it's whether Netflix's release strategy buried a Best Picture contender, and whether the Academy's streaming snobbery cost it bigger nominations.
It lives on as a milestone more than a meme: the film that made Rachel Morrison the first woman ever nominated for the Best Cinematography Oscar, and an early flashpoint in the whole Netflix-vs-the-Oscars war.
A canon climber and cinephile cause — the film people cite when arguing Dee Rees is one of the most under-hired major talents of her generation.