
2017 · Greta Gerwig
How Lady Bird has been received, argued over, and remembered.
Arrived at Toronto 2017 as an instant darling and briefly became the best-reviewed film in Rotten Tomatoes history, then went 0-for-5 on Oscar night — and has since settled comfortably into the modern coming-of-age canon as the film that announced Gerwig the director.
The perennial fight: is it a perfect small movie or an overpraised Sundance-flavoured indie — a debate turbocharged when a single critic conspicuously broke its 100% Rotten Tomatoes streak.
The mother-daughter exchange — 'I want you to be the very best version of yourself' / 'What if this is the best version?' — is endlessly quoted, and the film single-handedly rehabilitated Dave Matthews Band's 'Crash Into Me' as a sincere needle drop.
A Letterboxd-era touchstone: top-tier A24 canon, the default rec for mother-daughter movies, and a fixture of 2010s best-of lists.
Influences Greta Gerwig has publicly named — the director's own word, distinct from the inferred lines of influence.