
1976 · Bernardo Bertolucci
How 1900 has been received, argued over, and remembered.
In 1976 it was a scandal of scale — a five-hour Marxist epic bankrolled by Hollywood money, hacked down for American release after a bitter fight between Bertolucci and the studio, and critics were split between 'monumental' and 'bloated'. The restored full-length version has since been reappraised as one of the great mad epics of the '70s, with Storaro's cinematography and Morricone's score now beyond dispute.
The eternal 1900 debate: majestic masterpiece or magnificent folly — and can a lavish, star-studded, studio-financed film credibly preach communist revolution?
It survives as the ultimate 'commitment watch' — the five-hour Bertolucci — and its images of red banners sweeping across the Emilian countryside are among the most reproduced in political cinema. The sheer cast (De Niro, Depardieu, Lancaster, Sutherland, Hayden) makes it a perennial 'wait, THEY'RE all in this?' discovery.
A cinephile endurance badge and canon climber — less watched than Last Tango or The Conformist, but the one whose completion earns you Letterboxd bragging rights.