Sightlines · how to watch

How to watch Miller's Crossing

1990 · Joel Coen · Miller's Crossing on Sightlines

5 things to watch and listen for on a first viewing, without spoilers, and 3 more once you have seen it. Each names something you can see or hear, the pattern it belongs to, and what noticing it gives you. How these keys work.

On a first viewing

  1. Watch the hat roll and tumble through the forest leaves. (camera)

    The film opens on Tom's hat blowing across a forest floor, photographed with the same texture and attention Sonnenfeld gives to faces, before a single word of dialogue is spoken.

    Payoff: You are handed an object with no explanation and made to wait for what it will come to mean, which is how the whole film works.

  2. Watch where people stand relative to a doorway when they talk. (staging)

    The Coens keep staging confrontations in offices, parlors, and corridors, with figures pinned in doorways so their positions in the room diagram who has power over whom.

    Payoff: The frame stops being just a place where things happen and becomes a small map of who currently controls the room. In the reading: the mental-image / relation-image. The reading calls this a relation image: meaning that lives not in the action but in a relation only you, watching, can hold.

  3. Watch Tom's face when he claims to be loyal to someone. (performance)

    Byrne plays Tom deceiving nearly every person he talks to, and never gives you a private moment that confirms which version of him, if any, is the real one.

    Payoff: You are never let backstage to see the true Tom, only a series of performances that never confirm or deny each other.

  4. Listen for Danny Boy returning at moments tied to Leo. (sound)

    Burwell ties the melody of Danny Boy specifically to Leo, letting one Irish folk tune carry scenes that a bigger orchestral score would otherwise smother in commentary.

    Payoff: One recurring melody is doing the emotional work a whole score usually does, and it never once needs to explain itself.

  5. Notice how often the story returns to the same patch of forest. (setting)

    The title's forest recurs as a space outside the city and outside the gangster world's usual rules.

    Payoff: The trees feel like a different place from the city, with rules of their own.

The 3 rewatch keys open on this page when you choose "Seen it?".

Carry this in: Watch what everyone's hands are doing while they talk. The film tells you the truth about lying the whole time.

A Deleuzian reading of Miller's Crossing →

How Miller's Crossing was received →