
1964 · Kaneto Shindō
How Onibaba has been received, argued over, and remembered.
A hit in Japan but sniffed at by some Western critics as lurid erotica when it travelled, Onibaba has since been fully canonised — Criterion treatment, endless 'greatest horror' lists — as art-house horror's great grass-field fever dream.
The perennial Letterboxd squabble: is it really a horror film at all — and is it better or worse than Shindō's own Kuroneko?
That hannya demon mask is one of cinema's most referenced faces — William Friedkin has said Onibaba's mask inspired the demon visage in The Exorcist — and the whispering susuki grass has become shorthand for elemental dread.
A load-bearing pillar of the Japanese horror canon and a Criterion-cinephile rite of passage, reliably resurfacing every October in Hooptober-style horror challenges.