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Onibaba poster

Onibaba · reception & legacy

1964 · Kaneto Shindō

How Onibaba has been received, argued over, and remembered.

The arc

A hit in Japan but sniffed at by some Western critics as lurid erotica when it travelled, Onibaba has since been fully canonised — Criterion treatment, endless 'greatest horror' lists — as art-house horror's great grass-field fever dream.

What's debated

The perennial Letterboxd squabble: is it really a horror film at all — and is it better or worse than Shindō's own Kuroneko?

Its footprint

That hannya demon mask is one of cinema's most referenced faces — William Friedkin has said Onibaba's mask inspired the demon visage in The Exorcist — and the whispering susuki grass has become shorthand for elemental dread.

Where it stands

A load-bearing pillar of the Japanese horror canon and a Criterion-cinephile rite of passage, reliably resurfacing every October in Hooptober-style horror challenges.

★ Did you know? Shindō based the film on a Buddhist parable his mother told him as a child, about a jealous woman punished with a demon mask that wouldn't come off — and the cast and crew shot for months living in huts built amid the real reed marshes.