
1955 · Luis Buñuel
How The Criminal Life of Archibaldo de la Cruz has been received, argued over, and remembered.
Dismissed for decades as just another job from Buñuel's 'commercial' Mexican period, it's since been reappraised as one of the peaks of those years — the film where the dry, absurdist black comedy of his late French masterpieces first snaps into focus.
The perennial cinephile fight it fuels: whether Mexican-period Buñuel is criminally underrated, with Archibaldo as Exhibit A that the 'minor' films are anything but.
The wax mannequin — an eerie double of star Miroslava — is the film's endlessly screenshotted image, a proto-Vertigo bit of uncanny that turns up constantly in Buñuel retrospectives and Letterboxd reviews.
A beloved deep cut — the 'underrated Buñuel' pick that cinephiles press on anyone who thinks his career skips from Un Chien Andalou to Belle de Jour.