
2016 · Ken Loach
How I, Daniel Blake has been received, argued over, and remembered.
It won Ken Loach a second Palme d'Or in 2016 and instantly became a political flashpoint in austerity-era Britain — praised as essential, dismissed by some right-leaning critics as unrealistic. A decade on it's settled in as the definitive film about the UK benefits system, still invoked whenever welfare policy makes headlines.
The perennial fight: devastating social realism or didactic 'poverty porn'? — crystallised by Camilla Long's scathing 'povvo safari' review, which itself became part of the film's lore.
The title phrase escaped the cinema and became a real protest slogan, graffitied and chanted at anti-austerity demos, while the food bank scene is routinely cited as one of the most gut-punching moments in modern British film. It was even raised in Parliament, with Jeremy Corbyn urging Theresa May to watch it.
A modern cornerstone of British social realism — the late-career Loach film that's become the 'you must see this to understand austerity Britain' pick.