
1977 · Sidney Lumet
How Equus has been received, argued over, and remembered.
Divisive on release — critics argued Lumet's realism (real horses, real stables) flattened the stylised theatricality that made Peter Shaffer's play a sensation — and it's still mostly discussed as a fascinating misfire redeemed by its acting.
The perennial fight: can Equus even work on film, or did swapping the stage's masked, abstract horses for literal ones break the play's whole spell?
The title now lives larger through the play — especially Daniel Radcliffe's headline-grabbing 2007 stage revival — with the film surviving as the record of Richard Burton delivering Dysart's great monologues on screen.
A curio in Lumet's staggering 70s run — wedged after Network — remembered by cinephiles mainly as late-career Burton at full force rather than essential Lumet.