
1944 · Preston Sturges
How Hail the Conquering Hero has been received, argued over, and remembered.
A hit in 1944 — audiences and critics were amazed a satire this sharp about hero worship got made mid-war — and its stock has only risen since, now regularly cited as the boldest American comedy of the WWII years.
The perennial Sturges-fan debate: is this or The Miracle of Morgan's Creek the true peak of his miraculous 1944 — and does the ending play as sincere, ironic, or somehow both at once?
Its premise — a phony war hero smothered by hometown adulation — became the template for every stolen-valor comedy since, and critics still reach for it whenever manufactured heroism is in the news.
The connoisseur's Sturges: less seen than The Lady Eve or Sullivan's Travels, but the one his devotees insist is the deepest cut in one of the greatest hot streaks any director ever had.