
1971 · Joseph Losey
How The Go-Between has been received, argued over, and remembered.
It won the Palme d'Or at Cannes in 1971, yet somehow drifted into 'forgotten prizewinner' territory for decades — now it's steadily reclaimed as the crown of the Losey–Pinter collaborations and a quiet ancestor of everything from Atonement to heritage-cinema at large.
The evergreen row: did it really deserve to beat Visconti's Death in Venice at Cannes '71 — and why does a Palme d'Or winner this good remain so under-watched?
It carries one of literature's most famous opening lines — 'The past is a foreign country: they do things differently there' — into cinema, and Michel Legrand's thunderous, doom-laden score has a cult of its own.
A cinephile's secret handshake: the 'underseen Palme winner' that Losey-Pinter devotees insist completes the trilogy after The Servant and Accident.