
1980 · Bill Gunn
How Personal Problems has been received, argued over, and remembered.
Conceived by Ishmael Reed as a Black 'meta-soap opera' for public television, it was barely seen after 1980 and effectively vanished for decades — then the 2018 restoration (released by Kino Lorber) turned it into one of the most celebrated rediscoveries in American independent film.
The gentle split among fans is whether the raw, smeary early-video look is an obstacle to get past or the entire point — the texture that makes its Harlem lives feel documentary-real.
It's become a touchstone in the wider rediscovery of Black independent film alongside Ganja & Hess and Losing Ground — the go-to example of a major work that almost slipped out of history entirely.
A rediscovered grail: beloved-but-nearly-lost, now a fixture of Black-cinema canons and 'you have to see this' Letterboxd lists.