
1934 · W.S. Van Dyke
How The Thin Man has been received, argued over, and remembered.
MGM treated it as a modest quickie — shot in a couple of weeks on a B-picture schedule — and it became a surprise smash, six Oscar nominations and five sequels later. Ninety years on it's less 'classic mystery' than the eternally rewatchable template for every bantering-couple detective story since.
Everyone agrees the actual murder mystery is an afterthought — the perennial debate is whether that's a flaw or precisely the point, since you're really there for Nick and Nora's cocktails and banter.
The 'Nick and Nora' cocktail glass is named for its leads, Asta became a crossword-puzzle staple, and every quipping married-detective duo from Hart to Hart onward lives in its shadow. Film fans also love the pedantic correction that 'the Thin Man' isn't even Nick Charles — the title stuck to William Powell anyway once the sequels ran with it.
A Letterboxd comfort-watch icon and reliable gateway drug to 1930s Hollywood — the classic people recommend to friends who 'don't like old movies'.