Sightlines · reception
How Rendez-vous was received
1985 · André Téchiné · Rendez-vous on Sightlines
The arc
It won Téchiné the Best Director prize at Cannes in 1985, where its feverish intensity divided critics; today it's remembered less as a prize-winner than as the film that announced Juliette Binoche to the world.
What’s debated
Fans still split on whether its overheated theatricality is sublime or ridiculous — and whether it's a great Téchiné film or just a great Binoche launchpad.
Its footprint
Its main cultural afterlife is as an origin story: the film cinephiles cite when tracing where the Binoche mystique began, with a young Lambert Wilson opposite her long before his Hollywood turn.
Where it stands
A cinephile deep cut — under-seen next to Téchiné's Wild Reeds, but a must for anyone working through Binoche's filmography from the start.
Did you know? The screenplay was co-written by a young Olivier Assayas, then still a Cahiers du cinéma critic, years before he directed films of his own — one of two mid-80s Téchiné scripts he worked on, alongside Scene of the Crime.