
2015 · Ciro Guerra
How Embrace of the Serpent has been received, argued over, and remembered.
It arrived already garlanded — the Art Cinema Award at Cannes' Directors' Fortnight, then Colombia's first-ever Oscar nomination — and a decade on it's only climbed, settling in as one of the defining art films of the 2010s and the standard-bearer of the new Colombian cinema.
The recurring debate: is this a genuinely decolonial jungle film that finally flips the explorer's gaze, or is it still an outsider's (non-indigenous director's) telling of an indigenous story — with the Herzog/Coppola comparisons it invites doing it no favors?
Its silvery black-and-white Amazon imagery became instantly iconic — the go-to counter-image to Aguirre and Apocalypse Now whenever film Twitter talks 'jungle movies,' and shorthand for what a river-journey film looks like when the indigenous guide is the protagonist.
A canon climber and Letterboxd darling — the 2010s world-cinema title that shows up on 'films everyone should see' lists and is treated as required viewing for Latin American cinema.