← The Way Home
The Way Home poster

The Way Home · reception & legacy

2002 · Lee Jeong-hyang

How The Way Home has been received, argued over, and remembered.

The arc

A tiny, quiet film with no stars that became one of 2002's biggest sleeper hits in Korea, out-drawing Hollywood blockbusters on pure word of mouth. Two decades on it's settled in as Korean cinema's definitive grandmother tearjerker — the film people cite when they say 'I don't cry at movies, except…'

What's debated

The eternal split: is Sang-woo one of the most infuriating brats ever put on screen (and is that the point), and does the film earn its tears honestly or squeeze them out of you?

Its footprint

It's basically shorthand for 'call your grandmother' — the closing dedication to all grandmothers is the detail everyone remembers and quotes. In Korea it turned its elderly non-actress lead into a national treasure overnight.

Where it stands

A beloved comfort-classic of the early-2000s Korean wave — less canonised abroad than Oldboy or Memories of Murder, but a 'guaranteed tears' staple on Letterboxd and every 'films to watch with your family' list.

★ Did you know? Grandmother Kim Eul-boon was a 78-year-old villager with no acting experience who reportedly had never even watched a film before being cast — director Lee Jeong-hyang found her after scouring the Korean countryside for the right face.