
1970 · Sergey Bondarchuk
How Waterloo has been received, argued over, and remembered.
A notorious flop in 1970 — it lost a fortune for Dino De Laurentiis and Columbia — but decades later it's been reclaimed as the last word in pre-CGI spectacle, the 'they literally used an army' epic that modern battle scenes get measured against.
The eternal split: is Rod Steiger's brooding, muttering Napoleon a fascinating character study or pure ham — and does the human drama ever live up to the battle?
Its cultural shadow is mostly a ghost story: the film's box-office failure famously scared studios off Stanley Kubrick's Napoleon, making Waterloo the movie that killed the greatest film never made. Its helicopter shots of cavalry breaking against infantry squares are endlessly clipped and shared as peak practical-scale filmmaking.
A cult object for military-history buffs and 'real extras, real horses' cinephiles — under-seen by the mainstream, but a fervent 'you must see this on the biggest screen possible' pick.