← Spider-Man: Into the Spider-Verse
Spider-Man: Into the Spider-Verse poster

Spider-Man: Into the Spider-Verse · reception & legacy

2018 · Bob Persichetti

How Spider-Man: Into the Spider-Verse has been received, argued over, and remembered.

The arc

Greeted with pre-release shrugs — a third big-screen Spider-Man continuity in a decade, animated, no Tom Holland — it landed as an instant critical sensation, won the Best Animated Feature Oscar over Pixar and Disney, and is now routinely credited with changing the look of mainstream American animation.

What's debated

The evergreen fan debate is whether it's flat-out the best Spider-Man movie — and even the best superhero movie, period — with a side skirmish over whether that's recency-bias hype or the obvious truth.

Its footprint

'Anyone can wear the mask' became the character's defining modern mantra, and the film's stylized comic-print aesthetic spawned a whole visual movement — you can see its fingerprints on Puss in Boots: The Last Wish, TMNT: Mutant Mayhem, and half the animation that followed.

Where it stands

A Letterboxd darling and top-250 fixture — the rare studio franchise film cinephiles cite unironically as canon.

★ Did you know? Miles is deliberately animated 'on twos' (12 drawings per second) early in the film to make him look clumsy in the suit, shifting to smooth 'on ones' as he grows into being Spider-Man — a technique so distinctive Sony Pictures Imageworks filed a patent on the film's animation methods.