
1994 · Zhang Yimou
How To Live has been received, argued over, and remembered.
Won the Grand Prix at Cannes in 1994 while being banned outright in China, where it has never had an official release — the rare film whose suppression at home and acclaim abroad happened simultaneously, and whose reputation has only grown into consensus-masterpiece status since.
The eternal cinephile face-off: To Live vs Farewell My Concubine vs The Blue Kite — three early-'90s Chinese epics sweeping the same decades of history, with fans forever ranking which cuts deepest; it also anchors the 'what happened to Zhang Yimou' debate about his later turn to state-friendly spectacle.
Its ban is part of its legend — Chinese viewers have passed it around unofficially for three decades, and 'still banned in its own country' is practically the first line of every review. The shadow-puppet troupe imagery has become shorthand for the whole film.
A Letterboxd titan — one of the platform's highest-rated films of all time and a fixture of 'films that will destroy you' and essential-world-cinema lists.