
1974 · Terrence Malick
How Badlands has been received, argued over, and remembered.
It stunned the 1973 New York Film Festival as an out-of-nowhere debut, but its legend really grew during Malick's twenty-year disappearing act after Days of Heaven — by the time he returned, Badlands had hardened into 'one of the greatest first films ever made.'
The perennial fight: is its dreamy, deadpan distance a profound moral stance on its killers-on-the-run, or does the sheer beauty romanticize them — a debate every film it influenced has had to relitigate.
Carl Orff's 'Gassenhauer' theme is now cinematic shorthand for doomed young lovers (True Romance openly reworked it), the whole lovers-on-the-run genre from Wild at Heart to Natural Born Killers lives in its shadow, and Bruce Springsteen's Nebraska drew on the same Starkweather story after seeing the film.
Unassailable canon and a Letterboxd darling — the standard answer to 'best directorial debut ever' and the entry drug for Malick converts and skeptics alike.