
1984 · Sergio Leone
How Once Upon a Time in America has been received, argued over, and remembered.
Infamously butchered for its 1984 US release — cut from Leone's ~4-hour vision to 139 minutes and re-edited into chronological order — it flopped and was savaged, while the full European cut drew raves at Cannes. The restored version has since been fully canonised, and it's now widely held up as Leone's masterpiece and one of the great gangster epics.
The eternal fan debates: which cut is the 'real' film, whether the famously ambiguous ending changes everything, and how to reckon with its brutal treatment of its female characters — a genuine problematic-fave tension even among devotees.
The image of the kids framed against the Manhattan Bridge from a Lower East Side street is one of the most reproduced shots in cinema, and Ennio Morricone's score — especially 'Deborah's Theme' — has a huge life of its own well beyond the film.
A flop-turned-monument that now sits alongside The Godfather and Goodfellas in the gangster-epic canon — a 'you must see the full cut' rite of passage for cinephiles, and a fixture of Leone completists' rankings.