
2009 · Bong Joon Ho
How Mother has been received, argued over, and remembered.
A Cannes (Un Certain Regard) hit in 2009 that was warmly received but overshadowed by Bong's splashier work — then Parasite's 2019 sweep sent a wave of viewers back to it, and it's now routinely held up as maybe his most quietly devastating film.
The perennial Bong-heads debate: is Mother actually his best film — better than Parasite, better than Memories of Murder — or the great under-discussed one?
Kim Hye-ja dancing alone in a field is the film's indelible image — it bookends the movie and lives on in gifs, posters, and countless 'best opening scenes' lists.
A cinephile credential-checker: loving Parasite is easy, but citing Mother is how Letterboxd users signal they've done the full Bong Joon Ho deep dive.