← Cemetery of Splendor
Cemetery of Splendor poster

Cemetery of Splendor · reception & legacy

2015 · Apichatpong Weerasethakul

How Cemetery of Splendor has been received, argued over, and remembered.

The arc

Rapturously received at Cannes 2015 (though fans grumbled it was 'relegated' to Un Certain Regard after Apichatpong's Palme d'Or), it topped critics' year-end lists and has since settled in near the summit of best-of-the-2010s polls as a slow-cinema landmark.

What's debated

The eternal Apichatpong divide: is drifting off during it a failure of the film or the whole point — transcendent dream-state or two hours of watching people nap?

Its footprint

The color-shifting neon tubes glowing over the sleeping soldiers' beds became one of the decade's most screenshotted arthouse images, a Letterboxd aesthetic touchstone; the director has even leaned into the sleep discourse, saying he doesn't mind if audiences doze.

Where it stands

A fixture of 2010s best-of-decade lists and a 'serious cinephile' credential, though most fans still recommend starting Apichatpong elsewhere and working up to it.

★ Did you know? Apichatpong refused to release the film in his native Thailand, saying he wouldn't submit it to the military government's censors — and declared it would likely be his last film shot in the country (his next, Memoria, was made in Colombia).