
1976 · Ingmar Bergman
How Face to Face has been received, argued over, and remembered.
In 1976 it was an event — Oscar nominations for Liv Ullmann and for Bergman's direction — but its stock fell fast, and today it's usually filed among his minor works, overshadowed by Persona and Cries and Whispers even by Bergman devotees.
The standing debate: is this underrated late-ish Bergman carried by one of Ullmann's greatest performances, or a schematic, dated slab of Freudian psychodrama that even the master couldn't make work?
Almost none beyond cinephile circles — it's the Bergman that even Bergman fans admit they haven't seen, which has become part of its identity.
A deep cut in the Bergman filmography: completists seek it out for Ullmann, but it's the rare Oscar-nominated Bergman that never made the canon.