
2016 · Tim Miller
How Deadpool has been received, argued over, and remembered.
In 2016 it landed as a genuine shock — a raunchy R-rated superhero hit nobody at Fox believed in until it out-grossed most of the X-Men films. A decade on it's oddly divisive: still beloved as a crowd-pleaser, but also blamed for a wave of smug, fourth-wall-winking imitators that made its irreverence feel like the new house style.
The perennial fight: is Deadpool actually subversive, or just a standard superhero movie that inoculates itself against criticism by making the jokes first?
'Maximum effort' entered the lexicon, and the film's meta marketing campaign — Ryan Reynolds trolling in-character across billboards, Tinder profiles and emoji posters — became the template every studio has tried to copy since. The Hugh Jackman/Wolverine needling became a years-long real-world bit of its own.
Never a cinephile darling, but a fixed cultural landmark — the film that proved R-rated comic book movies could be blockbusters and cleared the runway for Logan.