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The Official Story · reception & legacy

1985 · Luis Puenzo

How The Official Story has been received, argued over, and remembered.

The arc

An instant landmark in 1985 — Cannes prizes, then the first Latin American film ever to win the Best Foreign Language Film Oscar — it's since been slightly reframed by critics as the polished, 'respectable' face of post-dictatorship Argentine cinema, even as its historical importance keeps growing.

What's debated

The recurring debate: is its tasteful melodrama the perfect Trojan horse for confronting the Dirty War, or too polite a form for atrocities that rawer Argentine films tackled head-on?

Its footprint

It's the film that carried the story of Argentina's disappeared — and the grandmothers of the Plaza de Mayo searching for stolen children — to the world, made while the dictatorship's fall was barely two years old; in Argentina it's less a movie than a national reckoning on film.

Where it stands

A fixture of the world-cinema canon and of every 'essential Latin American films' list — the you-must-have-seen-this entry point to Argentine cinema, alongside The Secret in Their Eyes.

★ Did you know? Norma Aleandro — who had spent part of the dictatorship in exile — won Best Actress at Cannes 1985 for the role, sharing the prize with Cher (for Mask), months before the film took Argentina's first Foreign Language Oscar.