
2015 · Duke Johnson
How Anomalisa has been received, argued over, and remembered.
It premiered at Venice 2015 — where it became the first animated film ever to win the Grand Jury Prize — rode raves and an Oscar nomination, then quietly slipped out of the conversation; a decade on, it's routinely called Charlie Kaufman's most underrated film, the one fans insist got memory-holed too fast.
The forever-debate: is it a devastating portrait of loneliness or 90 minutes of sympathy for a self-absorbed man having a mid-life crisis — with fans split on whether the film is critiquing him or indulging him.
Its puppet love scene became instantly famous — endlessly cited as one of the most awkwardly human intimate scenes ever filmed, animated or otherwise — and the 'everyone has the same voice' conceit (Tom Noonan voicing every person on Earth except two) is the hook people still use to sell it to newcomers.
A cult object in the Kaufman canon — the 'have you actually seen Anomalisa?' deep cut that Letterboxd devotees rank above bigger titles and treat as a loyalty test for real Kaufman-heads.